I don’t know “how much” experimental you might consider my original releases on “Eksess” but you can bet that most of them were born from impromptu performance with different devices.
There is a lot of no-input mixing technique involved, analog synth-ing, Fostex old 4-track cassette manipulation (and noise enhancing) plus, once again, some field recording (I got tons of recording done during my zillion of trips)
As for the name Eksess, it is easy to understand it, coming from the word “excess” with the “K S” coming from my nickname/surname initials. It all worked out pretty well.
Come on and join it!